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(Berklee Guide). Learn to improvise in jazz, pop, rock, gospel, and R&B, in this user-friendly guide to vocal improvisation. Regardless of your level of musical training, these discussions, exercises, and games will give you technical knowledge and confidence to improvise expressively and effectively, within a singing group or as a soloist. The accompanying CD provides demonstration and sing-along tracks for practice. You will learn icebreaker exercises, groove-based improvising ideas, how to use essential scales and modes for building express solos, scat and other "instru-vocal" techniques, and group improvisational skills.

• Sales Rank: #356662 in Books
• Published on: 2012-05-01
• Original language: English
• Number of items: 1
• Dimensions: 12.00" h x .29" w x 9.00" l, .1 pounds
• Binding: Paperback
• 104 pages

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1 of 1 people found the following review helpful.
It is not what I thought it would be. ...
By cher
It is not what I thought it would be. But I will keep trying to adapt it to my needs.

0 of 0 people found the following review helpful.
Good but brief
By Maggie Diaz Del Castillo
I wish there where more exercises for each section. Not useful on its own, it only gives a guide and it has to be completed with more exercises for each one of the sections.

0 of 0 people found the following review helpful.
Five Stars
By Rosalie Sue Carpio
Great book!

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• Sales Rank: #2769301 in eBooks
• Published on: 2013-05-07
• Released on: 2013-05-07
• Format: Kindle eBook

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0 of 0 people found the following review helpful.
Fake
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Fake

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[C536.Ebook] Ebook Download Blue Heart (NHB Modern Plays), by Caryl Churchill

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Two exhilarating and teasingly entertaining one-act plays from one of the UK’s leading playwrights.

Heart’s Desire sees a family awaiting their daughter’s return from Australia, though in a series of alternative scenarios, the play collapses as it keeps veering off in unexpected and ridiculous directions.

Blue Kettle tells the story of conman Derek and the five women he misleads into believing he is their biological son. Try as he might, Derek’s plans are scuppered as the play is invaded by a virus.

In Caryl Churchill’s ever-inventive style, the two plays in Blue Heart pull apart language and structure in a way that is theatrically remarkable and fast paced, in a stirring yet truthful exploration of family and relationships.

This edition was published alongside the first major revival of Blue Heart, nearly twenty years after its Royal Court premiere, in a co-production by the Orange Tree Theatre, Richmond, and Tobacco Factory Theatres, Bristol, in 2016.

• Sales Rank: #281817 in eBooks
• Published on: 2016-09-22
• Released on: 2016-09-22
• Format: Kindle eBook

Review

“The play of the year” – The Independent

“These are substantial, provocative, immensely stylish works which create an unsettling mixture of wild laughter and profound unease…a major hit” – Daily Telegraph

“A fiendishly clever and surreal play, timed to perfection” – The Guardian

“One of the wittiest, most gorgeously performed theatrical events… Ms Churchill [is] possessor of one of the sharpest and most restless theatrical imaginations in the world today.” -- Ben Brantley, New York Times

About the Author
Caryl Churchill (1938-) is probably the most respected woman dramatist in the English-speaking world. She is the author of some twenty plays including Light Shining in Buckinghamshire, Cloud Nine, Top Girls, Serious Money, The Skriker, Blue Heart, Far Away and A Number, seen and admired all over the world. CARYL CHURCHILL's plays include "Cloud Nine" (revived in 2007 to huge acclaim at the Almeida, London), "Top Girls", "Serious Money", "The Skriker", "Blue Heart", "Far Away" and "A Number". Most are published by NHB.

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12 of 19 people found the following review helpful.
Two Well-Crafted Plays
By A Customer
Caryl Churchill's Heart's Desire and Blue Kettle (both found in Blue Heart) may be a challenge to read, but both prove worth the effort. Simultaneously approaching the deconstruction of language and the deconstruction of the family and interpersonal relations, the two pieces leave nothing in question about Churchill's brilliance.

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[T646.Ebook] Download Orchestrating Collaboration at Work: Using Music, Improv, Storytelling, and Other Arts to Improve Teamwork, by Arthur VanGundy, Linda Naim

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Orchestrating Collaboration at Work is an activity book for trainers, coaches, mediators and facilitators, who want to use the arts to create transformative learning experiences in organizations. All 70 activities are crafted using arts-based principles that offer new insights and skills development in creativity, communication, teamwork, and collaborative leadership. Painting, poetry, storytelling, music, and improvisational theater offer innovative and transformative learning experiences. You can use them as quick icebreakers or brainjuicers at meetings or training sessions, and as a means of mediating dialogue to stimulate employee engagement. You do NOT have to be an artist to use this book's offerings.

• Sales Rank: #1178883 in Books
• Published on: 2007-07-24
• Released on: 2007-07-24
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .63" w x 8.00" l, 1.23 pounds
• Binding: Paperback
• 278 pages

From the Back Cover
Orchestrating Collaboration at Work is chock full of creative exercises and activities inspired by the arts that will help you and your team? your entire organization--achieve and maintain optimum team performance. This unique resource presents artistic forms of expression? dance, drawing, graphic design, improvisational theater, music, painting, photography, poetry, sculpture, singing, and storytelling? as a basis for improving collaboration at work.
You don't have to be a professional artist or world-class musician to facilitate the activities outlined in this book. Everything you need to know is here. You'll be confident as you apply these concepts from the arts that you are creating business-training experiences that will help to develop new perspectives and insights into what makes a team effective. Orchestrating Collaboration at Work will help you

• Inspire trainees to express themselves openly and creatively
• Create new perspectives for resolving business problems
• Understand how to use the arts to enhance training results
• Incorporate the content, form, and structure of the arts to resolve business problems
• Learn to unlock the hidden potential of employees
• Provide stimulating and effective training exercises
• Offer new insights to employees regarding how their behavior affects others
• Teach specific skills for individual, group, and organizational effectiveness

The book also includes interviews with such arts-in-business luminaries such as business author Margaret Wheatley, poet David Whyte, actor Richard Olivier, and former chief scientist at Xerox PARC, John Seely Brown.

Praise for Orchestrating Collaboration at Work

"VanGundy and Naiman bring a unique blend of creativity and art to provide practical techniques for increasing and improving teamwork. With this book, I am no longer afraid to explore the exciting world of the arts in buisness. My only regret is that they didn't write it ten years ago."
? Sivasailam "Thiagi" Thiagarajan, director of research, QB International

"High-performance collaborative work teams are the new performance imperative in both private and public enterprises. VanGundy and Naiman show how using the arts to unleash the creative potential of individuals and teams will allow this new performance mandate to be met. This book helps to push the edge of the arts in business envelope."
? Robert F. Lusch, dean and distinguished professor, The Neeley School of Business, Texas Christian University, Fort Worth, Texas

"Our experiences today, obviously demonstrate the need for a holistic, integrated approach to value creation. Only by means of interdisciplinary dialogue and action we will be able to access the existing multitude of creative development opportunities in social, ecological and economic contexts. Orchestrating Collaboration at Work provides hands on examples on how to start and facilitate such a process."
? Andreas J. Harbig, partner, head of strategic HR management, Pricewaterhousecoopers, Germany

About the Author
Arthur B. VanGundy was Professor of Communication at the University of Oklahoma from 1976 – 2008, a pioneer in idea-generation techniques, and the author of 15 books on business creativity and innovation. Linda Naiman, founder of Creativity at Work, is recognised internationally for pioneering arts-based learning as a catalyst for developing creativity, innovation, and collaborative leadership in organizations. As an innovation consultant, Linda advises senior leaders and managers on developing creativity and innovation skills in employees, and fostering an organizational culture that supports innovation.

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0 of 0 people found the following review helpful.
I loved it!
By Barbara
I wish there was more! More in terms of ideas from the artist who wrote the book. I loved it!

0 of 0 people found the following review helpful.
Something new for companies
By Eduardo Stabholz
This book shows that there are new techniques to address motivation and team working in companies.
It has been a great lead for us in Argentina. Totally new in our market!

1 of 1 people found the following review helpful.
Will VanGundy Ever Run Out of Creativity?
By Peter Lloyd
Arthur VanGundy has already given us just about every conceivable aid to creative work--from "Brain Boosters" to "101 Games" and "101 Activities." Now with Linda Naiman he delivers the most comprehensive and accessible creativity and innovation resource for groups I've ever seen.

And it's about time someone got business people to start thinking like artists. Anyone in business creativity, ideation, and new-product development will find the VanGundy-Naiman approach not only inspiring and fun but incredibly effective.

This binderful of brilliance would be a bargain at $900.

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The meanings and causes of hearing voices that others cannot hear (auditory verbal hallucinations, in psychiatric parlance) have been debated for thousands of years. Voice-hearing has been both revered and condemned, understood as a symptom of disease as well as a source of otherworldly communication. Those hearing voices have been viewed as mystics, potential psychiatric patients or simply just people with unusual experiences, and have been beatified, esteemed or accepted, as well as drugged, burnt or gassed. This book travels from voice-hearing in the ancient world through to contemporary experience, examining how power, politics, gender, medicine and religion have shaped the meaning of hearing voices. Who hears voices today, what these voices are like and their potential impact are comprehensively examined. Cutting edge neuroscience is integrated with current psychological theories to consider what may cause voices and the future of research in voice-hearing is explored.

• Sales Rank: #1349003 in eBooks
• Published on: 2012-03-22
• Released on: 2012-03-22
• Format: Kindle eBook

Review
"This is a well-structured book enhanced by the author's engaging and informative prose. It should prove intriguing and informative for researchers and healthcare professionals, as well as voice-hearers themselves."
Iain McGowan, University of Ulster, The Psychologist

"... a comprehensive, indeed encyclopedic text ... This book will bear re-reading. It is equally accessible to the specialist as to the generalist. There is a wealth of information, a keen examination of theory, a critical disposition, and above all it is interesting and engaging."
Femi Oyebode, Professor of Psychiatry, University of Birmingham and National Centre for Mental Health, The British Journal of Psychiatry

"Overall, this is a book well worth acquiring. Voices occur within real people (with all their complexity), as books come from real authors. When we attempt to indulge the fantasy that we can talk of one without the other, we do a disservice to all concerned. McCarthy-Jones recognizes this and has written a book that has much to inform the reader and, most important, induces respect and empathy for those in our communities who are voice hearers."
Dr P�draig Collins, Community Adult Mental Health Services, PsycCRITIQUES

"This work invites the reader to consider and integrate evidence from history, neuroscience, psychology and voice-hearers: an endeavour which is made enjoyable by the engaging narrative and sometimes humorous commentary of the author throughout. McCarthy-Jones appears equally committed to thorough research, scientific evidence and the well-being of voice-hearers. This work is an indispensable resource for voice-hearers, carers, clinicians and researchers. Highly recommended."
Psychosis

"... an epic, systematic and comprehensive treatise which is both fascinating and informative ..."
Nick O'Connor, Australasian Psychiatry

About the Author
Simon McCarthy-Jones is a Postdoctoral Fellow at Macquarie University's Centre for Cognitive Science, in Sydney, Australia.

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8 of 8 people found the following review helpful.
Pretty much the Bible
By Rico
It's hard to know where to start with such a comprehensive book. It covers the sweep of history and it covers contemporary developments both.

For those interested in a broad history of Western voice hearers and historical views of voice hearing, including ancient, medieval and modern attempts to explain the phenomenon, it's great. It doesn't look with the kind of depth at any one specific voice hearer that books like "Muses, Madmen, and Prophets" or "Voices of Reason, Voices of Insanity" does, but it is far more successful in giving a broad view than those books are, which may highlight a few well-known voice hearers or theories in depth but simply don't have the broad historical scope. And for a subject as important as voice hearing, seeing how voice hearers have been viewed and treated by society, moving from valued members of society to a group that is pathologized and stigmatized and understood only as having an illness, that is an important perspective indeed.

The book looks at the lived experiences of voice hearers and classifies their experience into broad categories that may be useful in understanding how the brains of voice hearers are working. The author makes clear that what differs between "sick" and "healthy" voice hearers (those who are distressed and incapacitated by the experience and those who do just fine) is often a matter of attitude: whether you accept and cope with the experience or not. If you have an experience and aren't bothered by it, you're healthy. If you have the exact same experience, but it does bother you, then you're sick. What you begin to question is the priorities and classifications of the mental health profession -- which is changing, but not nearly quickly enough. Also, I'm simplifying here, but if the review is not to be as long as the book itself, I have to do this a little. The book also points out the interesting contradiction in how the mental health field regards the experience in terms of culture. If your culture values voice hearing and accepts it as, for instance, a common aspect of your religion, then it's normal. If your culture doesn't, then it isn't. This distinction goes to point up how often mental health categories are determined by cultural attitudes, not by so-called objective science.

The part of the book that most general readers will probably profit from least is the long section devoted to neurological studies of the brains of voice hearers. Why? Because it's study after study after study of the results of brains scans and brain imaging whose significance, if you're not a trained scientist, will probably not be clear. It gets tedious, and while I freely admit I'm not a trained scientist myself, I often found myself wondering exactly what the point was. One study finds something -- and it seems like the next contradicts it, or the sample wasn' big enough, or it just can't duplicate the results. (This isn't the fault of the author, of course: he's just presenting the evidence.) Or a study finds something, but what its real significance is can be hard to discern. Just how big are the differences we're being shown here? I'm glad that this review of information was included in the book for the use of researchers, but I'm sure that for general readers who are simply trying to learn about the phenomenon, these sections will be more information than they are looking for. While the author does finally tie his reviews of studies of different kinds of neurological studies into the classifications of different types of voices that he'd already mentioned and so the mystery of what it's all about is cleared up, it takes a very long time to get there. He might have simply given us a preview first, before we had to wade through all this information. But again, as a review for those really interested in the neurology of it all, it's probably quite valuable.

The book then turns to look at what is going on in the world of voice hearers themselves. The book highlights what seems to be the significance of trauma in the lives of voice hearers -- it's something the overwhelming majority seem to have experienced -- whether that is in the form of physical, emotional or sexual abuse, neglect, PTSD from accidents and combat and other traumas, or bereavement. Half of all combat veterans with PTSD, for instance, end up hearing voices. The book goes on to look at how social factors may influence voice hearing. For instance, since voice hearers are usually abused, and since abuse is perpetrated by those seeking power, who are most often disempowered in some ways themselves, which is often people who are poor -- thus poverty can lead by a chain of causation to hearing voices. Unfortunately, it seems that not nearly enough research has been done in this biopsychosocial area for the picture to be really clear about what is going on yet.

The book explores the Hearing Voices Movement, in which voice hearers have begun to gather together in groups to address their problems, and it highlights the importance of new forms of therapy, especially that of the Maastricht Approach, pioneered by the psychologist Marius Romme and others in the mental health field and by voice hearers themselves. Both of these phenomena concentrate on the role of trauma and in working with voices to transform what is often an unsettling and traumatic experience itself into one in which the voice hearer's relationship with the voices can be transformed and the voice hearer's own personal conflicts, which often revolve around feelings of shame about their past experience of abuse and trauma, can be resolved.

The author critiques the current split between a mental health profession which sees voices as a sign of brain problems and pathology and the experience of many voice hearers themselves, who often find meaning in their experience. Merely finding neurological changes in the brain activity of voice hearers is not, in and of itself, a sign of pathology. As the author laudably notes one researcher's views, "But just because something is associated with neurological changes does not make it a disease. Bentall has made this point satirically by proposing happiness be classified as a mental disorder, due to its tendency be associated with reckless behavior and the presence of demonstrable neural changes."

The author is quite clear that hearing voices is not, in and of itself, pathological. He even goes so far as to suggest that we commit one heresy of the modern psychological profession -- that voice hearers may be the ones in the best position to address the issues that come with voice hearing and that more voice hearers need to be involved in research. Having heard voices myself and become interested in entering the field of psychology for those purposes, I was told quite bluntly by a successful psychiatrist that it might be hard for me to get into a psychology grad school because of my life experience. Psychologists, he told me, are quite sensitive to the public's perception that they are often as disturbed as their patients, and wish to avoid the stigma of another patient becoming a practitioner. This recalled for me Kay Redfield Jamison's fear of revealing to her psychology colleagues that she was herself bipolar. I hope that the profession might come to understand that having been there is a valuable perspective, but expecting that change overnight is probably unrealistic.

My critique, then, is not aimed at the author of this book, who seems to be circumspect, knowledgable, and wise. It is aimed at the existing field. The author, after all, does not advocate a position that views voice hearing as pathological. Quite the contrary. He seems to maintain an admirable openness to all sources of information, while taking an informed historical view that separates the wheat from the chaff. Yet, when one reads a couple hundred pages of explanations of what is going on neurologically when one hears voices, it is difficult not to see this not as an attempt to describe simply what is happening, but as an attempt to pathologize what is happening. When one reads theories of what is going on in the minds of voice hearers, it is easy to see these not as theories of what is happening, pure and simple, but as theories of what is going wrong. And since these descriptions and theories seem to present inconclusive evidence of what would seem to be meaningless dysfunctions of the brain, it is easy, as a voice hearer who has found his voices to be meaningful, internally consistent, not at all random, and manifestations of an intelligence distinct from myself, from the emotional tone they take to the kinds of words they use to the grammatical structures of their speech (always calling me "you," for instance), to find myself thinking that the brain scientists and theorists are barking up the wrong tree entirely. When millions of us have similar experiences both with our voices and with trauma and abuse, and voices seem to be connected to how we deal with trauma and abuse, what seems to be needed is not a description of what the brain is doing wrong, but what it is doing right -- of how the voices are not a symptom of disease or disorder, but a sign that evolution, in some strange way, is doing its job. It also seems to me that there is a complete lack of a synthesis of the two perspectives of research/theorists on the one hand and voice hearers on the other. Voice hearers experience their voices as an intelligence outside their own. Ascribing that intelligence to god or to angels or demons or aliens or other people might be naive, to use a pejorative term, but is it any less naive to ignore the intelligence and internal consistency of voices and ascribe them to some sort of meaningless disease? Has no one put the two points of view together? That it might be both another intelligence and a part of the brain as it has evolved? In the whole book, out of hundreds of pages of theory and different points of view, I found only a couple references to either evolution or the idea that voices might represent a form of co-consciousness. If the only successful interventions are those which have taken the actual experience of voice hearers seriously, wouldn't it stand to reason that the theory might reflect that in some way also? Again, this isn't the author's fault. It's just the state of the psychology field.

All in all, an outstanding book. The faults of the material are not the faults of the author, who does an outstanding job of giving a view of the subject that is historical, scientific, personal and theoretical. If you're really interested in the subject, you may find yourself reading it twice.

0 of 0 people found the following review helpful.
Great book!
By dc321
Extremely informative text on the subject of auditory hallucinations. Very comprehensive. Great book!

0 of 0 people found the following review helpful.
I enjoyed the book and recommend it
By Karen Henriksen
There's a lot of info on many levels . I enjoyed the book and recommend it.

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[N709.Ebook] Download PDF The Pedestrians, by Rachel Zucker

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The Pedestrians, by Rachel Zucker

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"Zucker is a poet of bottom-scraping, blood-chilling existential anxiety, one among many, and a poet of New York City, one among many, and a poet of American Jewish inheritance, one among many, and one of the funniest, too."—Boston Review

Rachel Zucker returns to themes of motherhood, marriage, and the life of an artist in this double collection of poems. Fables, written in prose form, shows the reader different settings (mountains, ocean, Paris) of Zucker's travels and meditations on place. The Pedestrians brings us back to her native New York and the daily frustrations of a woman torn by obligations.

That Great Diaspora

I'll never leave New York & when I do
I too will be unbodied—what? you
imagine I might transmogrify? I'm from
nowhere which means here & so wade out
into the briny dream of elsewheres like
a released dybbyk but can't stand
the soulessness now everyone who ever
made sense to me has died & everyone I love
grows from my body like limbs on a rootless tree

Rachel Zucker is the author of Museum of Accidents, which was a finalist for the National Book Critics Circle Award. She is also the author of The Bad Wife, The Last Clear Narrative, Eating in the Underworld, and Annunciation.

• Sales Rank: #179011 in Books
• Published on: 2014-04-01
• Original language: English
• Number of items: 1
• Dimensions: 7.00" h x 5.00" w x .50" l, .0 pounds
• Binding: Paperback
• 160 pages

About the Author
Rachel Zucker is the author of Museum of Accidents (Wave Books, 2009), which was a finalist for the National Book Critics Circle Award. She is also the author of The Bad Wife Handbook (Wesleyan University, 2007), The Last Clear Narrative (Wesleyan University, 2004), Eating in the Underworld (Wesleyan University, 2003), and Annunciation (The Center for Book Arts, 2002), as well as the co-editor (with Arielle Greenberg) of Starting Today: 100 Poems for Obama’s First 100 Days and Women Poets on Mentorship: Efforts and Affections (both from the University of Iowa Press). She is co-author (also with Arielle Greenberg) of Home/birth: a poemic, a nonfiction book about birth, friendship, and feminism. Her memoir, MOTHERs, will be published by Counterpath Press in 2013. A graduate of Yale and the Iowa Writers' Workshop, Zucker teaches at NYU and the 92nd Street Y. She currently lives in NYC with her husband and three sons and was awarded an National Endowment for the Arts Creative Writing Fellowship in 2012.

Most helpful customer reviews

6 of 7 people found the following review helpful.
Like nothing I've read
By NVBMC
From a contemporary poetry ignoramus: This book has kind of blown my mind. It uniquely captures a certain time and place of our existence, with pure language; it reads raw and feels honest. I imagine not everyone would identify with its sentiments and perhaps its demographic is narrow, but I'm still flipping back through favorite parts and expect to periodically for a while to come.

1 of 1 people found the following review helpful.
I see what you're doing, Rachel Zucker.
By Kent Shaw
She is a mother. She lives in a house. She lives in an apartment. She is acclimated to the dimensions of a big city, but many of the poems in this book only mention the big city as something she knows. Quite possibly, she loves the big city more than anything else, because there are no words for this city. Love need not be measured in words. Or even lack of wording. Just in reference and allusion and expansion within the setting that she is at. Is she in Paris when all the words that she uses to talk about the culture are French? Likely. Is the Big City New York even if she never actually gives the city its name? None other, lover!

These are exercises that she does. Is she Rachel Zucker? I like Rachel Zucker, especially in the despicability she has been in other books that feature someone with all the same lifestyle accommodations as what I know Rachel Zucker has. She is the personhood side of a public figure. She has three children. She looks to the she within her and keeps noticing all the different qualities a she must and will and did and ruefully have as an animal. A human is an animal. She is a human-animal living somewhere where knowing about the city is a way of knowing herself as the animal that prefers cities but still finds relish in other-than-city locales.

And, lest it be overlooked, all the ways that she is with the city, she is with her family, and her husband. Maybe he is like an outcropping of her family. An outcropping can make a continent deformed and more interesting. This book feels like Rachel Zucker continually trying to adjust her clothing so that the outcroppings that make up who she is are hidden or shown in a more complimentary light. But for a reader who is careful, he or she knows. Those are outcropping, Rachel Zucker. I see what you're doing.

1 of 1 people found the following review helpful.
like all of her books
By Fattery
Marvelous, like all of her books.

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• Published on: 1707
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Practicing engineers and students of aeronautic and applied mechanics will develop a solid conceptual background in the theory of structures with this easy-to-understand introduction to probabilistic methods. No previous knowledge of the theory of probability and random processes is required.
The text/reference provides a thorough overview, starting with elements of the theory of probability from two or more random variables and proceeding to an examination of the reliability of such multivariable structures. Further, it introduces the theory of random function, focusing on random vibration of single- and multi-degree-of freedom structures and continuous systems, and presents the Monte Carlo method for treating problems incapable of exact solution.
Chapters 1 through 7 are suitable for a one-semester, first-level undergraduate course, while the material in chapters 8 through 11 is appropriate for the analytically minded senior and graduate student. The text can also be used for a graduate course on random vibration and buckling and as a reference by practicing engineers and research workers. Numerous examples, with illustrative figures, clarify the well-written text; and many exercises are provided with each chapter to facilitate the reader's grasp of the subject.

• Sales Rank: #2776056 in Books
• Brand: Brand: Dover Publications
• Published on: 1999-02-16
• Released on: 1999-02-16
• Original language: English
• Number of items: 1
• Dimensions: .94" h x 5.44" w x 8.50" l, 1.20 pounds
• Binding: Paperback
• 502 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

5 of 6 people found the following review helpful.
Review
By A Customer
This book is a very lucidly written one in the area of probabilitistic applications in mechanics and vibratrions. The first chapter is an introduction in to the history of probability and its roots. The book begins with an introduction to probability and probability distributions and this is covered in the initial couple of chapters. The second chapter deals with the basics of probability involving set thory. The third and fourth chapters deals with the basic concepts of probability and deals with different probability distributions in practice. In the next couple of chapters the concepts of derived distributions are covered. The concept of derived distributions along with transformations used are covered in the fourth and fifth chapters. The theory of random functions are covered in the sixth chapter. Then the application of probability and stochastic processes to structural mechanics for example stability, vibration theory have been covered. The final chapter is on the random number generation. It deals with Monte Carlo simulation of probability distributions and random functions.

3 of 3 people found the following review helpful.
Well worth the price
By A Customer
A nice, interesting book with a lot of useful information on probabilistic structural analysis, but does not follow the current industrial practice that is leaning towards stochastic FEA and FORM/SORM based limit state analysis. If you want to understand modern structural reliability theory, or plan to work in probabiistic design, I would strongly reccomend the textbooks by Haldar & Mahadevan. In short, Prof. Elishakoff's book will be a nice companion volume, but not a main reference. Cant beat the price, though.

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• Sales Rank: #304072 in Books
• Published on: 2015-02-20
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .53" w x 6.00" l, .70 pounds
• Binding: Paperback
• 210 pages

About the Author
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Most helpful customer reviews

2 of 2 people found the following review helpful.
A game changer for anyone who actually wants to find Mr (or Mrs) Right!
By Charlie Mitchell
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2 of 2 people found the following review helpful.
I had success within 3 hours!
By Amazon Customer
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[P739.Ebook] Download Principles of Clinical Medicine for Space FlightFrom Springer

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Over the years, a large body of knowledge has developed regarding the ways in which space flight affects the health of the personnel involved. Now, for the first time, this clinical knowledge on how to diagnose and treat conditions that either develop during a mission or because of a mission has been compiled by Drs. Michael Barratt and Sam L. Pool of the NASA/Johnson Space Center. Complete with detailed information on the physiological and psychological affects of space flight as well as how to diagnose and treat everything from dental concerns to decompression to dermatological problems encountered, this text is a must have for all those associated with aerospace medicine.

• Sales Rank: #2338685 in Books
• Published on: 2008-05-01
• Original language: English
• Number of items: 1
• Dimensions: 1.10" h x 8.40" w x 11.00" l, 4.00 pounds
• Binding: Hardcover
• 596 pages

Review

From the reviews:

"This is a comprehensive, state-of-the-art-and-science book on what experts in space medicine understand of the physiology and organizational logistics of the field. … a book for anyone with an interest in space medicine and anyone who wants to understand the extraordinary efforts that have been made to render space travel as safe as possible in such an unforgiving environment. … is an absolute necessity for every academic medical library. The authors are to be commended for a … easily readable book on a fascinating topic." (Vincent F Carr, Doody’s Review Service, August, 2008)

"More than 40 experts have contributed to this book. Its 27 referenced chapters are divided into 2 sections, dealing first with the unique aspects of space medicine and then with clinical medicine in space flight. … The book contains numerous tables, charts, black-and-white photographs, and drawings. … Principles of Clinical Medicine for Space Flight is a valuable addition to the shelves of anyone interested in space and medicine."(Joseph McKeon, Journal of the American Medical Association, February, 2009)

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