Free PDF The Buccaneers, by Edith Wharton, Marion Mainwaring
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Set in the 1870s, the same period as Wharton's The Age of Innocence, The Buccaneers is about five wealthy American girls denied entry into New York Society because their parents' money is too new. At the suggestion of their clever governess, the girls sail to London, where they marry lords, earls, and dukes who find their beauty charming—and their wealth extremely useful.
After Wharton's death in 1937, The Christian Science Monitor said, "If it could have been completed, The Buccaneers would doubtless stand among the richest and most sophisticated of Wharton's novels." Now, with wit and imagination, Marion Mainwaring has finished the story, taking her cue from Wharton's own synopsis. It is a novel any Wharton fan will celebrate and any romantic reader will love. This is the richly engaging story of Nan St. George and guy Thwarte, an American heiress and an English aristocrat, whose love breaks the rules of both their societies.
- Sales Rank: #332900 in Books
- Published on: 1994-10-01
- Released on: 1994-10-01
- Original language: English
- Number of items: 1
- Dimensions: 7.70" h x .90" w x 5.10" l, .60 pounds
- Binding: Paperback
- 406 pages
Features
- Edith Wharton
- classics
- literature
From Publishers Weekly
Mainwaring commendably completes Wharton's unfinished novel about five wealthy American women seeking entrance into elite society by marrying British aristocrats.
Copyright 1994 Reed Business Information, Inc.
From Library Journal
When Wharton died in 1937, she left unfinished a novel about fresh young Americans in class-bound England that Time declared would have been her masterpiece. Now Wharton scholar Mainwaring has polished up the rough draft and interpolated a few passages, and the result is a masterpiece. When the St. George girls and their friend Lizzy Elmsworth aren't accepted in New York society because their bloodlines just don't go back far enough, no matter how rich they are, the St. George governess recommends that they go to England. Here they quickly make grand marriages--one rattled young husband declares that they are really "buccaneers"--but becoming a duchess does not bring happiness to Nan St. George. Initially the overshadowed little sister, Nan emerges as an independent, self-possessed young woman who makes a momentous decision that shocks everyone--even her less stuffy compatriots--and her transformation is heartening to watch. Wharton retains her eye for detail but burnishes her crystalline prose with passion. Highly recommended. BOMC Main selection; previewed in Prepub Alert, LJ 5/1/93.
- Barbara Hoffert, "Library Journal"
Copyright 1993 Reed Business Information, Inc.
Review
"Brave, lively, engaging . . . a fairy-tale novel, miraculouly returned to life"
—The New York Times Book Review
"The Buccaneers brilliantly showcases Wharton near the top of her form."
—Chicago Tribune
"Mainwaring has added gloss to the story's original elegance and wit, and the novel emerges like a master's painting from the hands of a highly skilled restorer."
—Leon Edel
"Mainwaring's version of The Buccaneers is a tour de force. . . . [She] deserves high marks for her ingenuity, novelistic skill, and critical intelligence."
—USA Today
"A sense of unobtrusive accuracy of tone and detail prevails throughout Ms. Mainwaring's [writing]. . . . It's hard to imagine a better writer equipped to take on Edith Wharton."
—The Wall Street Journal
Most helpful customer reviews
50 of 51 people found the following review helpful.
Beautifully written, compelling characters.
By A Customer
Most of us know Edith Wharton either through
reading Ethan Frome in high school, or having
seen The Age of Innocence at the movie
theater. While she is best know for these works
they are dim in tone and portray the oppressive
nature of society.
In The Buccaneers, Wharton presents us with a group
of young women who have been rejected by
late 19th Century NY society, and journey to
England in search of husbands. Each of the
characters in fully drawn, and while Wharton
maintains her description of society as oppressive, she
counters this with the idealism and hope
of her brave young women and societal rules that with time are changing.
These women for the most part strive
to attain happiness, and unlike Wharton's
other principal characters, do acheive it.
This is probably the only Wharton novel
to end on a note of happiness and hope.
Combined with the richly drawn backdrop of 19th
century English & American society, it makes
for an enchanting and provocative read.
32 of 32 people found the following review helpful.
American Beauties Seek British Titles/Brits Seek American $$
By Jana L.Perskie
Edith Wharton's last novel opens at the height of the racing season in Saratoga, NY, in 1876. Here America's 'nouveau riche' women gather; mothers and daughters who have been shunned by the elite, 'old money' society, scheme to marry their girls into the British aristocracy. Four beautiful young women become fast friends, as they dream and scheme together of potential suitors and titles in far off England. An English woman, unmarried and sophisticated, is hired to instruct the four friends in 'all that is necessary' to be successfully presented into British society. The girls' quest is most certainly not an impossible one. Many eligible, young aristocrats are short of funds necessary to keep up their vast estates. They are more than willing to marry American money, especially when wrapped in a beautiful, charming package, which will allow them to live in the style to which they are accustomed.
The story is told through the eyes, and from the hearts, of these young debutantes - wide-eyed, innocent and full of fun and American energy. Their longed-for entry into English society, and their subsequent marriages, joys and disappointments, as well as their strong, never waning, friendship for each other, is chronicled here with fascinating detail. The world of their childish fantasies is not the world of reality, as romance fades and financial worries, marital infidelities and lost love take the place of past dreams. They each struggle with the conflict between individual and social fulfillment, repressed sexuality, and the manners and mores of Britain's 'old families.' They discover secrets that were kept from them during courtship - intrigues, and hidden, devastating character flaws in their matrimonial choices.
Edith Wharton's descriptions of the wonderful American and British settings - the gorgeous countryside, great homes and extravagant furnishings, lavish clothing and courtship rites are remarkable. Each of the four young women have much in common, although their characters are quite different. Part of the glory of this novel is Wharton's development of her characters and their growth, as the young women mature with time and experience. The lesser characters are vividly drawn and complex. Her portrayal of the conflict between the American old society and the immense wealth of the newly rich robber barons and their socially ambitious wives, is an accurate and compelling glimpse of our past.
I know that Edith Wharton died before completing this extraordinary novel. I could wish, along with thousands of others, I am sure, that she had been allowed to live long enough to complete this masterpiece. However, Marion Mainwaring's conclusion does not diminish my immense enjoyment of the book in the least.
27 of 28 people found the following review helpful.
Died with Wharton
By mulcahey
The first two-thirds of THE BUCCANEERS is brilliant, Wharton's at the top of her form -- hilarious, penetrating, exciting, effortless. Before reading, I didn't know and didn't want to inform myself precisely where the original material ended; I wanted to perpetuate the hope that there could be another great Wharton novel I hadn't read. But the book dies after chapter 29. It's like falling off a cliff. You have to be pretty insensible not to feel it yourself, and it's tremendously disappointing. I couldn't read more than a few pages of the added material, and then quit out of loyalty. Still, the Wharton first draft is a kick to read -- if for no other reason, for instance, than to see what a perfect first chapter looks like.
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